Thursday, 08 May 2014 00:00

Mi abuela no es un cadáver

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Jornada de Antropología – Representación visual del daño y del sufrimiento social

8 May 2014, Madrid

Departamento de Antropología Social y Cultural de la UNED, en la Escuela Pías

‘Mi abuela no es un cadáver’

Recordando los Muertos en los cementerios de Álvaro Obregón, Ciudad de México.

En este artículo voy a considerar cómo la cultura material especialmente la fotografía, apoya la continuidad de las relaciones entre los vivos y los muertos. La investigación reveló cómo personas y actividades giraban en torno a los esfuerzos sostenidos por los dolientes, visitantes y trabajadores del cementerio para activamente mantener a los muertos como participantes en la vida de los vivos. En este artículo muestro cómo la cultura material puede proporcionar el vehículo a través del cual se pueden expresar las relaciones sociales con los muertos, y al mismo tiempo hablando con y expresar las características particulares de la persona muerta. Los mismos conjuntos de objetos y fotografías crean las condiciones para nuevas experiencias que están inevitablemente ligados al proceso de recordar a los muertos

Association of  Social Anthropologist of the UK and Commonwealth

ASA Decennial Conference

Anthropology and Enlightenment, 19-22 June, Edinburgh 2014

 

The Santa Muerte: magic and material culture in the cemeteries of a megalopolis

Author: Dr Marcel Reyes-Cortez

Summary

This paper will look at how practitioners of magic and followers of the Santa Muerte form different types of social meanings and will explore further how objects and photographs facilitate the communion between the living, the dead and the ánima.

Long Abstract

This paper explores why the cemetery is a magnet for social, cultural and religious interaction by investigating the practices and activities of the materialisation and objectification of the dead inside and outside its boundaries. This includes the life histories of its workers, mourners and daily visitors. My assertion is that the spaces of the dead, such as the cemeteries of Mexico City, are clear examples of dynamically active memory-making sites. In these the dead are revered daily, socialised and memorialised through a combination of secular and religious contemporary funerary practices, material culture such as objects, photographs, and the daily interaction between the living and the ánima. One such example is the regular use and practice of magic in the cemetery and regular visits made by non-mourners who are perceived to be witches and followers of the Santa Muerte. It also investigates how the diverse uses of material objects have been embraced to carry out such activities in Panteón San Rafael.

Supported by the evidence presented in this paper, I suggest that the embracing of material culture in the cemeteries provides and creates a space for multiple layers of memory facilitating and bridging the communion between the living, the dead and the ánima. I will also explore further how mourners’ religious and secular experiences, practices and activities, including the widespread embracing of material and visual culture, play an active and dynamic role in contemporary funerary rituals and social memory dedicated to the dead in the cemeteries of a megalopolis.

Friday, 09 September 2011 00:00

The forgotten dead of a Megalopolis

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The Social Context of Death, Dying and Disposal 10th International Conference, Sept 2011.

The Art of Anthropology Conference, Sept 2011.

 

Abstract: ‘Visual research in the cemeteries of Mexico City’

My practice based visual research project explores how through daily and yearly cycles, mourners and workers develop and maintain intricate rituals involving the dead buried in the cemeteries of Mexico City. The conjoined landscapes of the living and the dead are spaces of personal and collective grief, charged with emotions, loaded with ethical and moral obstacles and obligations. In my project I set out to document meticulously through photographs as well as text the numerous ways in which the living and the dead remain connected over generations. Additionally, I explore the range of activities, labor and kills developed and performed by its gravediggers serving these intense, long-term relationships.

2-3 Sept 2011: ‘The Art of Anthropology Conference’

School of Art & Design, University of Ulster, Belfast

 

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