Marcel Reyes - Cortez

Marcel Reyes - Cortez

Marcel Reyes - Cortez is a Visual Anthropologist living and working in London.

As a visual anthropologist and artist, Marcel’s current research explores the fusion between photographic practice and academic research in an attempt to promote and enrich the collaboration and exchange between them.

Wednesday, 13 December 2017 00:00

Artist in Residence 2018, Treasure Hill, Taipei

Selected as International Artist in Residence between Sep-Dec 2018 at Taipei Artist Village, Treasure Hill, Taiwan.

Tuesday, 12 December 2017 00:00

Photography + (Con) Text '18

2nd International Conference

Photography in Academic Research

Photography in social research and writing - warsztaty

Workshop and master-class, organised by the Institute of Ethnology and Cultural Anthropology, University of Warsaw and Stowarzyszenie “Pracownia Etnograficzna”, June 2015.

Abstract

“Cemeteries could be regarded as non-social spaces due to a believed negligible amount of daily social activity between the living, the dead and the space. At the same time, the spaces of the dead are regarded as spiritually charged, dangerous and even polluted. My paper suggests that the spaces of the dead, such as the cemeteries of Mexico City, are clear examples of dynamically active memory-making spaces in which the dead are daily revered, socialised and memorialised through a combination of secular and religious contemporary funerary practices, the daily interaction between the living, the dead, the ánima and material culture. The paper analyses the phenomenon, socio-cultural and political conditions of the objectification of the dead in the internal and external spaces of the cemetery. The paper includes the investigation of life histories of its workers, mourners and daily visitors in order to explore why various communities in Mexico City have embraced and revered the materialisation and objectification of the dead such as the following of the Santa Muerte. This paper then digs deeper into the array of meanings interwoven into the fabrics of social life and spiritual stability of the living, in which the widespread embrace of material culture plays a dynamic role in the contemporary social rituals dedicated to the dead in the cemeteries of a megalopolis.” p.107

Reyes-Cortez, M. 2012: Material culture, magic and the Santa Muerte in the cemeteries of a megalopolis. Visible Religions, in Culture and Religion: An Interdisciplinary Journal, Vol.13, No.1, (March, Routledge), pp. 107-131.

Thursday, 08 May 2014 00:00

Mi abuela no es un cadáver

Jornada de Antropología – Representación visual del daño y del sufrimiento social

8 May 2014, Madrid

Departamento de Antropología Social y Cultural de la UNED, en la Escuela Pías

‘Mi abuela no es un cadáver’

Recordando los Muertos en los cementerios de Álvaro Obregón, Ciudad de México.

En este artículo voy a considerar cómo la cultura material especialmente la fotografía, apoya la continuidad de las relaciones entre los vivos y los muertos. La investigación reveló cómo personas y actividades giraban en torno a los esfuerzos sostenidos por los dolientes, visitantes y trabajadores del cementerio para activamente mantener a los muertos como participantes en la vida de los vivos. En este artículo muestro cómo la cultura material puede proporcionar el vehículo a través del cual se pueden expresar las relaciones sociales con los muertos, y al mismo tiempo hablando con y expresar las características particulares de la persona muerta. Los mismos conjuntos de objetos y fotografías crean las condiciones para nuevas experiencias que están inevitablemente ligados al proceso de recordar a los muertos

Association of  Social Anthropologist of the UK and Commonwealth

ASA Decennial Conference

Anthropology and Enlightenment, 19-22 June, Edinburgh 2014

 

The Santa Muerte: magic and material culture in the cemeteries of a megalopolis

Author: Dr Marcel Reyes-Cortez

Summary

This paper will look at how practitioners of magic and followers of the Santa Muerte form different types of social meanings and will explore further how objects and photographs facilitate the communion between the living, the dead and the ánima.

Long Abstract

This paper explores why the cemetery is a magnet for social, cultural and religious interaction by investigating the practices and activities of the materialisation and objectification of the dead inside and outside its boundaries. This includes the life histories of its workers, mourners and daily visitors. My assertion is that the spaces of the dead, such as the cemeteries of Mexico City, are clear examples of dynamically active memory-making sites. In these the dead are revered daily, socialised and memorialised through a combination of secular and religious contemporary funerary practices, material culture such as objects, photographs, and the daily interaction between the living and the ánima. One such example is the regular use and practice of magic in the cemetery and regular visits made by non-mourners who are perceived to be witches and followers of the Santa Muerte. It also investigates how the diverse uses of material objects have been embraced to carry out such activities in Panteón San Rafael.

Supported by the evidence presented in this paper, I suggest that the embracing of material culture in the cemeteries provides and creates a space for multiple layers of memory facilitating and bridging the communion between the living, the dead and the ánima. I will also explore further how mourners’ religious and secular experiences, practices and activities, including the widespread embracing of material and visual culture, play an active and dynamic role in contemporary funerary rituals and social memory dedicated to the dead in the cemeteries of a megalopolis.

Friday, 09 September 2011 00:00

The forgotten dead of a Megalopolis

The Social Context of Death, Dying and Disposal 10th International Conference, Sept 2011.

The Art of Anthropology Conference, Sept 2011.

 

Abstract: ‘Visual research in the cemeteries of Mexico City’

My practice based visual research project explores how through daily and yearly cycles, mourners and workers develop and maintain intricate rituals involving the dead buried in the cemeteries of Mexico City. The conjoined landscapes of the living and the dead are spaces of personal and collective grief, charged with emotions, loaded with ethical and moral obstacles and obligations. In my project I set out to document meticulously through photographs as well as text the numerous ways in which the living and the dead remain connected over generations. Additionally, I explore the range of activities, labor and kills developed and performed by its gravediggers serving these intense, long-term relationships.

2-3 Sept 2011: ‘The Art of Anthropology Conference’

School of Art & Design, University of Ulster, Belfast

 

Sunday, 30 September 2007 00:00

Portraits of Remembrance

Reyes-Cortez on Portraits of Remembrance

“When I die, I want to be buried with her. We met at school when she was 15 years old, 

and I love her now, as much as I did then, when we first met over 50 years ago.” 

The cemeteries of Mexico City

 

“. . . Her eyes look straight ahead, as if looking at Don Francisco talking to her, the eyes of the image reciprocates the viewer’s gaze. I suggest that at this moment the materiality of the photograph is transformed and the photograph transcends the object, it protects the dead from the ephemeral human body, overcoming the absence of the person. I suggest that the photograph preserves traces of memory and personhood, shifted from the decomposing flesh in the coffin or a cremated body in a cinerary urn to the social body of the photograph. Portraits of remembrance protect the invincibility of the dead as a social person, making the dead visible through the relationships and the value entrusted to the material/spiritual image by its mourners and visitors . . .” p.48-49.

Reyes-Cortez, M. 2010: Communicating with the Dead: Social Visibility in the Cemeteries of Mexico City, in Die Realität des Todes: Zum gegenwärtigen Wandel von Totenbildern und Erinnerungskulturen (Visibility of Death) by Dominik GroßChristoph Schweikardt (edts), pp.33-62, Campus Verlag, Germany.

Upstairs @ the RAI, Friday 31 October, 2014, 5pm

Royal Anthropological Institute

Memorialising and Commemorating the Dead in Mexico City: A critical look at the Mexican Day of the Dead

Research Seminar followed by some tasters with Dr Marcel Reyes-Cortez, Goldsmiths, University of London

In Mexico City, the dead are very present in popular culture and are manifested in the spaces of the living, for example in art, photography, cinema, literature, music, gastronomy and political rhetoric. Claudio Lomnitz argues that death and the dead in Mexico have been turned into a national ‘totem’. This social phenomenon has developed some unique social and cultural practices. This seminar will show how people symbolically represent the dead in order to include them in their social and living spaces and create memory and immortality through material culture and photographic portraits.

Through daily and yearly cycles, people develop and maintain intricate rituals involving the dead buried in the cemeteries of Alvaro Obregon, Mexico City. The conjoined landscapes of the living and the dead are spaces of personal and collective grief, charged with emotions, loaded with ethical and moral obstacles and obligations. Based on his PhD field research, Marcel Reyes-Cortez documents the numerous ways in which the living and the dead remain connected over generations. This involves long-term relationships and a range of activities (cemetery workers, flower-growers, coffin makers, etc.).

 

Please book your free place: http://rai-day-of-the-dead.eventbrite.com

Royal Anthropological Institute
50 Fitzroy Street
London, W1T 5BT, United Kingdom

http://www.therai.org.uk

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