Mi abuela no es un cadáver

  Thursday, 08 May 2014 00:00

Jornada de Antropología – Representación visual del daño y del sufrimiento social

8 May 2014, Madrid

Departamento de Antropología Social y Cultural de la UNED, en la Escuela Pías

‘Mi abuela no es un cadáver’

Recordando los Muertos en los cementerios de Álvaro Obregón, Ciudad de México.

En este artículo voy a considerar cómo la cultura material especialmente la fotografía, apoya la continuidad de las relaciones entre los vivos y los muertos. La investigación reveló cómo personas y actividades giraban en torno a los esfuerzos sostenidos por los dolientes, visitantes y trabajadores del cementerio para activamente mantener a los muertos como participantes en la vida de los vivos. En este artículo muestro cómo la cultura material puede proporcionar el vehículo a través del cual se pueden expresar las relaciones sociales con los muertos, y al mismo tiempo hablando con y expresar las características particulares de la persona muerta. Los mismos conjuntos de objetos y fotografías crean las condiciones para nuevas experiencias que están inevitablemente ligados al proceso de recordar a los muertos

Upstairs @ the RAI, Friday 31 October, 2014, 5pm

Royal Anthropological Institute

Memorialising and Commemorating the Dead in Mexico City: A critical look at the Mexican Day of the Dead

Research Seminar followed by some tasters with Dr Marcel Reyes-Cortez, Goldsmiths, University of London

In Mexico City, the dead are very present in popular culture and are manifested in the spaces of the living, for example in art, photography, cinema, literature, music, gastronomy and political rhetoric. Claudio Lomnitz argues that death and the dead in Mexico have been turned into a national ‘totem’. This social phenomenon has developed some unique social and cultural practices. This seminar will show how people symbolically represent the dead in order to include them in their social and living spaces and create memory and immortality through material culture and photographic portraits.

Through daily and yearly cycles, people develop and maintain intricate rituals involving the dead buried in the cemeteries of Alvaro Obregon, Mexico City. The conjoined landscapes of the living and the dead are spaces of personal and collective grief, charged with emotions, loaded with ethical and moral obstacles and obligations. Based on his PhD field research, Marcel Reyes-Cortez documents the numerous ways in which the living and the dead remain connected over generations. This involves long-term relationships and a range of activities (cemetery workers, flower-growers, coffin makers, etc.).

 

Please book your free place: http://rai-day-of-the-dead.eventbrite.com

Royal Anthropological Institute
50 Fitzroy Street
London, W1T 5BT, United Kingdom

http://www.therai.org.uk

Panteón Jardín de México

  Saturday, 01 September 2007 00:00

Panteón Jardín, a modern multi-faith cemetery built in the 1930s and is a prime example of how the social rituals that exist in the spaces of the living are reflected through the spatiality and location of the dead.

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