Photography in social research and writing - warsztaty
Workshop and master-class, organised by the Institute of Ethnology and Cultural Anthropology, University of Warsaw and Stowarzyszenie “Pracownia Etnograficzna”, June 2015.
We invite applications for participation to a day workshop and master-class on the practice of Photography and use of photographs in Social Research and writing. This is aimed at both Anthropologist, visual practitioners and beyond. Organised by the Institute of Ethnology and Cultural Anthropology, University of Warsaw and Stowarzyszenie “Pracownia Etnograficzna”.
A day workshop aims to encourage the use of visual practice such as photography in social research and the dissemination of data. It aims to encourage practical and analytical skills in order to create photographic narratives and how to write an ethnography using photography.
The workshop is organised as a one day master-class on the 17th June 2015 guided by Weronika Plinska, University of Warsaw and Dr Marcel Reyes-Cortez a Visual Anthropologist and photographer based at Goldsmiths, London.
“Cemeteries could be regarded as non-social spaces due to a believed negligible amount of daily social activity between the living, the dead and the space. At the same time, the spaces of the dead are regarded as spiritually charged, dangerous and even polluted. My paper suggests that the spaces of the dead, such as the cemeteries of Mexico City, are clear examples of dynamically active memory-making spaces in which the dead are daily revered, socialised and memorialised through a combination of secular and religious contemporary funerary practices, the daily interaction between the living, the dead, the ánima and material culture. The paper analyses the phenomenon, socio-cultural and political conditions of the objectification of the dead in the internal and external spaces of the cemetery. The paper includes the investigation of life histories of its workers, mourners and daily visitors in order to explore why various communities in Mexico City have embraced and revered the materialisation and objectification of the dead such as the following of the Santa Muerte. This paper then digs deeper into the array of meanings interwoven into the fabrics of social life and spiritual stability of the living, in which the widespread embrace of material culture plays a dynamic role in the contemporary social rituals dedicated to the dead in the cemeteries of a megalopolis.” p.107
Reyes-Cortez, M. 2012: Material culture, magic and the Santa Muerte in the cemeteries of a megalopolis. Visible Religions, in Culture and Religion: An Interdisciplinary Journal, Vol.13, No.1, (March, Routledge), pp. 107-131.
Jornada de Antropología – Representación visual del daño y del sufrimiento social
8 May 2014, Madrid
Departamento de Antropología Social y Cultural de la UNED, en la Escuela Pías
Recordando los Muertos en los cementerios de Álvaro Obregón, Ciudad de México.
En este artículo voy a considerar cómo la cultura material especialmente la fotografía, apoya la continuidad de las relaciones entre los vivos y los muertos. La investigación reveló cómo personas y actividades giraban en torno a los esfuerzos sostenidos por los dolientes, visitantes y trabajadores del cementerio para activamente mantener a los muertos como participantes en la vida de los vivos. En este artículo muestro cómo la cultura material puede proporcionar el vehículo a través del cual se pueden expresar las relaciones sociales con los muertos, y al mismo tiempo hablando con y expresar las características particulares de la persona muerta. Los mismos conjuntos de objetos y fotografías crean las condiciones para nuevas experiencias que están inevitablemente ligados al proceso de recordar a los muertos
Association of Social Anthropologist of the UK and Commonwealth
Anthropology and Enlightenment, 19-22 June, Edinburgh 2014
Author: Dr Marcel Reyes-Cortez
This paper will look at how practitioners of magic and followers of the Santa Muerte form different types of social meanings and will explore further how objects and photographs facilitate the communion between the living, the dead and the ánima.
This paper explores why the cemetery is a magnet for social, cultural and religious interaction by investigating the practices and activities of the materialisation and objectification of the dead inside and outside its boundaries. This includes the life histories of its workers, mourners and daily visitors. My assertion is that the spaces of the dead, such as the cemeteries of Mexico City, are clear examples of dynamically active memory-making sites. In these the dead are revered daily, socialised and memorialised through a combination of secular and religious contemporary funerary practices, material culture such as objects, photographs, and the daily interaction between the living and the ánima. One such example is the regular use and practice of magic in the cemetery and regular visits made by non-mourners who are perceived to be witches and followers of the Santa Muerte. It also investigates how the diverse uses of material objects have been embraced to carry out such activities in Panteón San Rafael.
Supported by the evidence presented in this paper, I suggest that the embracing of material culture in the cemeteries provides and creates a space for multiple layers of memory facilitating and bridging the communion between the living, the dead and the ánima. I will also explore further how mourners’ religious and secular experiences, practices and activities, including the widespread embracing of material and visual culture, play an active and dynamic role in contemporary funerary rituals and social memory dedicated to the dead in the cemeteries of a megalopolis.